|
|
||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||||||||||||||||||||
|
|
||||||||||||||||||||||
| THE
MARACA LADY [I bought this pair of maracas in Santiago de Cuba. They have tobacco and azucar (sugar) written on them: until the end of the 20th century sugar and tobacco were the mainstays of the Cuban ecomomy, the source of the ‘contrapunto’ of Cuban music] 
REFEREES Professor Simon Frith, Music Department, School of Arts, Culture and Environment Alison House, 12 Nicolson Square, Edinburgh, EH8 9DF UK. Professor.Sara Cohen, Director, Institute of Popular Music, University of Liverpool, Liverpool L69 3BX, Dr. Suzel Reily, Department of Social Anthropology, The Queen's University of Belfast, 14 University Square, Belfast BT7 1NN, Northern Ireland
Web site written by Jan Fairley |
 Web site written by Jan Fairley | Designed by Tonka and Jan Fairley | Photos by Pascal Saenz |
LINKS